A contemporary Jonathan Harris studio glass Watergarden Opal Amphora Vase of tapered shouldered form with flared rim, cane cut flowers on mottled pink and teal ground with tonal pink and purple trails, on an opal and gold leaf ground, engraved signature to base, height 17cm, together with a Purple Coalport on Severn Vase of squat baluster form with flare rim, with mottled polychrome stylised under a band of pink and purple tonal trails, on a pink and silver leaf ground, engraved signature, height 13cm. (2)

A late 19th Century Stourbridge cameo glass vase by Stevens & Williams of shouldered form with raised collar, opal over a satin ruby ground, cut with wild poppies within moulded band and lined borders, height 19cm.

A contemporary Peter McDougall glass vase of low lobed and flared form, decorated with stretched  multicoloured millefiori canes over a marbled deep pink ground and cased in clear crystal, retains original paper label, together with a Richard P. Golding for Station Glass Epergne glass flower pocket of trumpet form with pulled iridescent trails over a translucent pink ground, tallest height 19cm. (2)

A 1960s Chribska Glassworks vase by Josef Hospodka, of pulled form with scalloped rim, with graduated pink to purple on a clear body, height 35cm.

A 20th Century Ladislav Oliva for Exbor Amoeba block vase, circa 1968, flash cut organic design in salmon pink, etched factory mark to base, width 18cm, height 12cm.

A 20th Century Geoffrey Baxter for Whitefriars Random Strap vase, aubergine strapping over aubergine ground, pattern number 9802, height 15.5cm, together with a Whitefriars style bark effect table lighter, in pewter, with Calibri chromed mechanism, height 7cm, and a Whitefriars glacier style tumbler in Kingfisher Blue, height 9cm. (3)

A late 19th Century Stourbridge straw opal basket of flared trumpet form with folded rim and clear glass handle, on foliate moulded feet, height 21cm, a vase of trumpet form with angular folded rim and ribbon trailed decoration on circular foot, a circular bowl with folded trailed rim, a similar jug on lobed foliate band, a globular form vase with drawn and folded rim and a straw opal tealight of cylindrical form with pulled tiered petal decoration. (6)

A late 19th Century Stourbridge straw opal bud vase of flared trumpet form with bowled base and undulating rim, height 20cm, together with straw opal plate of circular form with drawn rim, and a bubble pipe with ribbed knopped stem and ovoid bowl. (3)

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A contemporary Jonathan Harris studio glass Renior Amphora vase of elongated ovoid form with flared rim, decorated with stylised flowers in tonal green and polychrome mottling on a mottled lilac and gold leaf ground, engraved signature to base and dated 2014, height 18cm.

A collection of contemporary Jonathan Harris studio glass, including a peach glass trial vase of squat circular form, overlaid with radiating bands of gold leaf, height 8cm, a similar pale turquoise example of circular footed form, height 9.5cm, an iridescent terracotta cup with vertical trailed decoration, and a Midnight smoke vase of elongated ovoid form, height 18cm, all with engraved signature to base. (4)

A late 19th Century enamelled glass vase of elongated ovoid form with everted rim, decorated in the manner of Stourbridge cameo glass with anemones on a turquoise teal blue ground, with butterfly vignette verso, height 23cm.

A small cameo glass vase by Emille Galle, circa 1900, a shouldered ovoid body with shallow collar neck, cased in deep red over a graduated clear and cut with a fruiting bough design, cameo signature to body, height 6cm.

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A pair of 19th Century Richardsons vitrified enamel vases, each of footed shouldered ovoid form with drawn collar necks, each enamel decorated in the Etruscan style, inspired by the Portland vase with classical figures in ochre and gold below a gold Greek Key and stiff leaf border over the opal ground, enamel mark, height 15cm. (2)

A collection of 19th Century and later Stourbridge and continental straw opal glassware, to include a tall trumpet vase with crimped rim with spiral dentil moulded decoration on circular foot, height 31cm, a bud vase of trumpet form with frilled undulating rim and ribbon trailed stem, a glove form flower vase and a straw opal vase of tapered form with flared neck and collar with optic moulded strapped decoration. (4)

A collection of late 19th Century North East pressed pearline glass including Davidsons Primrose Opal, comprising a vase of flared form on pressed flower form foot, a cream jug, a smaller example, a sugar bowl and a pair of loop handled bon-bon dishes, tallest height 19cm. (6)

A 20th Century Michael Harris for Isle of Wight Black Azurene vase of globe form, with gold and silver leaf over an ink blue ground, full signature and with original label, height 25cm.

A contemporary Royal Brierley Studio range iridescent blue glass vase of ovoid form, impressed factory mark, height 18cm.

A small late 19th Century Thomas Webb and Sons cameo glass vase of low shouldered form with a slender tapered neck, the body cased in opal over ruby over citron over opal and cut with a scrolling convolvulus, height 9.5cm, slight damage.

A contemporary Crystalex studio cased glass ball vase by Jiri Suhajek for Moser, of globe form with brown oxidised inclusions and trailed decoration with clear blue glass impressed motif, height 25cm.

A 20th Century Geoffrey Baxter for Whitefriars textured range Zig Zag vase, pattern number 9761, in meadow green, height 15cm.

An early 20th Century satin glass vase, in the manner of Webb of Stourbridge, of ovoid form, red over opal, with frosted glass elephant trunk handles, height 20cm.

A late 19th Century Stourbridge glass vase, possibly Thomas Webb & Sons, the shouldered ovoid form with collar neck, hand enamelled with Egyptian style figures over a dark blue ground, unmarked, height 12cm, slight damage.

A contemporary Jonathon Harris studio glass Wildness vase of elongated ovoid form with flat flared rim, decorated with stylised daisies and mottled green foliage on a ruby glass ground with gold leaf, engraved signature to base, height 25cm.

A collection of late 19th Century North East pressed pearline glass including Davidsons Primrose Opal, comprising a boat form dish with lozenge frieze and fan borders, a twin handled basket, a flower form bud vase, a star form pin dish, a footed bowl with lobed rim and a smaller example, largest width 21cm. (6)

A contemporary Jonathan Harris studio glass Early Wilderness vase of trumpet form with fluted rim, on clear glass knopped stem and circular foot, iridescent peach ground with mottled polychrome and trailed decoration, engraved signature to base, height 19cm, together with an Iridised silver leaf Amphora vase, shouldered form with flared rim, with vertical bands of silver leaf over a petrol blue ground, engraved signature to base, height 14cm, and a framed glass sculptural panel of interlocking randomised turquoise and gold leaf bands, approximate height 7cm. (3)

A contemporary Isle of Wight studio glass Trial vase, designed by Timothy Harris, of square sleeve form, with gold and silver leaf over an ink blue ground, unsigned, height 32cm.

A 19th Century Etruscan glass vase of baluster form, decorated with portrait medallions over peach and on opaline ground, height 30cm, together with an Etruscan frosted opal glass vase, elongated baluster form on circular foot, decorated with a female robed figure and flowers, within arcaded bands, height 51cm. (2)

A collection of 20th Century glass, to include a Atelier Beranek square section vase by Jiri Beranek, signed, height 20cm, a Murano conch shell, etched signature, height 10cm, two French/Belgian glass items, and two Strombergshyttan etched vases, decorated with crane and flower detail, heights 15cm and 18cm. (6)

A Stevens and Williams (attributed) cameo glass vase of teardrop form, amber and acid yellow over opal, cut with fruiting branches and butterflies, height 16cm.

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A late 19th Century Stevens and Williams Osiris vase of spherical form with flared neck, cased in a tonal pale blue and chestnut trailed loop spiral over a pale lemon interior, height 19cm.

A contemporary Michael Harris for Isle of Wight glass Seascape Bell vase of sleeve form, decorated with veined blue stylised waves, over an opal and gold aventurine ground, engraved signature and numbered 63.500, height 21cm.

A pair of late 19th Century John Walsh Walsh straw opal rustic bud vases, of tubular form on whipped strap feet, height 14cm, together with a rustic bud vase of flared form with trailed spiral decoration on six tree root feet. (3)

A contemporary Timothy Harris for Isle of Wight glass Sunset Isle vase, of flattened ovoid form with pulled rim, trailed blue seascape and setting sun over mottled orange ground, full signature and dated 2019, height 17cm.

A contemporary Isle of Wight studio glass Black Azurene vase, designed by Michael Harris, of sleeve form, decorated with gold and silver leaf over an ink blue ground, with flame pontil mark, height 35cm.

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A late 19th Century Stevens & Williams Verre de Soire glass vase of onion form with elongated neck, cased in clear over a graduated pale green to amber with spiral air trap lines over an opal citron interior, unmarked, height 52cm.

A contemporary Jonathon Harris silver graal triple cased Opal Fish vase of shouldered form with flared rim, clear cased silver Koi with flowering weeds over an opalescent blue/green striated trailed and mottled opal ground with silver leaf, engraved signature and dated 2012, etched Harrods mark, height 23cm.

An early 20th Century Stevens & Williams 'Caerleon' ware vase of squat baluster form with everted rim, mottled yellow body with golden bubbled iridescent surface.

A contemporary Michael Harris for Isle of Wight studio glass fish vase, green core overlaid with gold and silver leaf, all cased in clear crystal, Limited edition number 29/500, full engraved signature, height 20cm.

A late 19th Century Thomas Webb & Sons ivory cameo glass vase of shouldered ovoid form with gilt metal collar neck, cut with veined leaves picked out with brown stain, acid mark to the base, height 15cm.

Three contemporary Jonathan Harris studio glass smoke vases, including a pink trial example of teardrop form, engraved signature to base, height 16cm, together with a Midnight Smoke trial vase of squat globular form, height 9cm, and an Opal and Green glass trial vase of ovoid form, height 13cm, both with engraved signature to base. (3)

A 20th Century Geoffrey Baxter for Whitefriars  textured range Nailhead purse vase, pattern number 9809, in ruby, height 16cm, together with a similar example in tangerine, height 11cm. (2)

A 20th Century Geoffrey Baxter for Whitefriars textured range Bottle vase, pattern number 9730, in tangerine, height 20cm.

A late 19th Century Stourbridge straw opal Iris pattern vase, of squat baluster form with crimped rim, optic moulded flower heads and strapped leaves, height 12cm, together with a similar vase, double gourd form, with crimped rim, height 12cm. (2)

A late 19th Century Stourbridge Cameo Glass vase by Thomas Webb & Sons of inverse baluster form, globe form with everted rim, cased in opal over acid yellow satin ground and clear glass, cut with long stemmed flowers and strap leaves, within opal glass bands, height 11cm.

A 20th Century Geoffrey Baxter for Whitefriars textured range Nailhead vase, pattern number 9808, in lilac, height 16.5cm.

A late 19th Century Stourbridge uranium straw opal Jack in the Pulpit bud vase of trumpet form with frilled rim, on circular foot, height 22cm, a matched example, and two similar bud vases, each of trumpet form with dished crimped rim, on circular foot height 16cm. (4)

A 20th Century continental glass vase, triform with cased blue glass core with bubble inclusions in clear glass, height 20cm.

A contemporary Isle of Wight studio glass 'Graal' chalice vase, designed by Jonathon Harris, decorated with pedestal urns and trailing flowers and leaves, on an amethyst iridescent ground, pink knopped stem and circular foot, engraved signature and titled 'Unique', dated 1994, height 27cm.

A collection of mid Century glassware to include a Jablonecke Sklarny Bohemian glass vase, the red glass with floral design, height 24cm, a Hermanova Hut rose pink vase, height 8.5cm, a pair of Rosice rose pink candlesticks, height 14cm, a Rogaska of Slovakia deep cut clear glass vase, signed, height 33cm, and a pair of Czechoslovakian green pressed glass bud vases, boxed, height 10cm.

A contemporary Jonathon Harris studio glass Vermillion Red Horizons Amphora vase, of shouldered form with flared rim, with red, pink and black trailing above polychrome mottled stylised landscape, on a red and gold leaf ground, height 19cm.

A collection of 1970s Czechoslovakian pressed glass, to include two Hermanova Hut vases by Frantisek Peceny, heights 18cm and 25cm, a Libochovice vase by Pavel Panek, height 18cm, and a pair of Libochovice candlesticks, height 6cm. (5)

A 20th Century Geoffrey Baxter for Whitefriars  textured range Double Diamond vase, pattern number 9759, in pewter, height 15cm, together with a textured range Greek Key vase, pattern number 9815, in ruby red, height 11cm. (2)

A 20th Century Geoffrey Baxter for Whitefriars textured range Pineapple/Pinecone vase, pattern number 9731, in aubergine, height 17cm.

A contemporary Jonathon Harris studio glass purple Coalport on Seven vase, of globe form, decorated with a stylised river landscape in mottled blue, green and red tones, below a band of pink and purple trailing on an aqua blue ground, engraved signature to base, height 15cm.

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A pair of late 19th Century kralik iridescent green dimpled bottle vases with pulled decoration, height 18cm, together with a similar vase of dimpled and footed form with pierced metal collar, height 25cm, and a smaller example of cylinder form with flared foot, height 13cm. (4)

A collection of mid Century and later coloured glass vases to include a Murano red twist vase and a collection of Empoli glasses, together with a Johanna Jelinek red bottle vase. (5)

A contemporary Isle of Wight studio Crizzle Cameo glass vase, designed by Timothy Harris, of cylindrical footed form, silver leaf on crackled amethyst ground, below and carved cameo foliate band, full signature and dated 2017, height 23cm.

A 20th Century Geoffrey Baxter for Whitefriars  Kingfisher Blue and green glass Ribbon Trail vase, pattern number 9706, height 26cm.