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Although a second season of Monster is in the works, the nature of an anthology means you can watch them separately, earning DAHMER a place on this list. Evan Peters stars as the titular serial killer Jeffrey Dahmer, who murdered 17 people between 1978 and 1991. Creator Ryan Murphy puts a spin on the usual crime story by giving a voice to the victims, several of whom were gay men of color, and interrogating how racism factored into Dahmer evading arrest for so long. While Peters anchors the series with chilling reserve, the supporting performances bring it all home, from a heartbreaking Richard Jenkins as Dahmer’s father to Niecy Nash-Betts’ Emmy-winning turn as Dahmer’s suspicious neighbor, Glenda Cleveland.

Set during World War II, Transatlantic aims to remind us that there were plenty of heroes who weren’t fighting on the battlefield. Anna Winger and Daniel Hendler’s series explores the real Emergency Rescue Committee, a group of civilians who helped European artists and academics evade the Nazis by smuggling them to safety in America through the ports of Marseille in 1940. Led by former journalist Varian Fry (Cory Michael Smith) and heiress Mary Jayne Gold (Gillian Jacobs), the committee worked tirelessly to create a place of refuge for them. Bolstered by gorgeous costumes and a host of scene-stealing performances from its cast (which also includes Corey Stoll, Ralph Amoussou, and Lucas Englander), Transatlantic is a poignant look at how people come together in times of unimaginable terror.

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Maid, Molly Smith Metzler’s adaptation of Stephanie Land’s memoir, Maid: Hard Work, Low Pay, and a Mother’s Will to Survive, isn’t exactly feel-good television, but it certainly makes for feel a lot television. Margaret Qualley spearheads the intimate and moving series, which follows Alex, a young mother barely making ends meet for herself and her 2-year-old daughter after escaping an abusive relationship. Maid delicately examines a host of compelling ideas, such as Alex’s belief that she, a victim of emotional abuse, doesn’t fit into the traditional mold of a domestic violence survivor and is therefore unworthy of receiving help. While Qualley gives a knockout lead performance on her own, the scenes between Alex and her erratic mother, Paula (played by Qualley’s real-life mom, Andie MacDowell), are not to be missed.

With series like The Stranger and Stay Close, Harlan Coben has established himself as a master of adapting his own novels into addictive crime series. His latest, Fool Me Once, weaves a complicated web of murder and lies. The story centers around Maya (Michelle Keegan), a widow who sees her dead husband (Richard Armitage) very much alive on a nanny cam, setting her off on a hunt for the truth. When her own investigation ends up coinciding with her niece and nephew’s search into their mother’s murder, they must unpack how these two events connect. Packed with twists and turns, this is the type of show that will have you racing to hit “Next Episode” as soon as the credits roll.

Mike Flanagan’s gleeful and gory salute to the works of Edgar Allan Poe combines all the things Flanagan does best — dysfunctional families, literary references, and cleverly executed horror tropes — with dark humor and strong performances from its talented cast. The timeline-hopping horror series tells the story of Roderick Usher (played by Bruce Greenwood in the present and Zach Gilford in the past), the corrupt CEO of a massive pharmaceutical company whose six adult children have all recently died. As Roderick tells his story to the assistant United States attorney who’s dedicated his own career to exposing the family’s dark deeds, Flanagan nimbly explores themes of greed and guilt. After you’re done with Usher, you can check out the entire Flanagan limited horror series catalog, which also includes The Haunting of Hill House, The Haunting of Bly Manor, and Midnight Mass.

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Based on Trent Dalton’s novel, Boy Swallows Universe mixes all the elements of a charming coming-of-age story with a fast-paced crime drama. The seven-part Australian series follows the 13-year-old Eli Bell (Felix Cameron), a working-class kid from Brisbane who trips headfirst into a life of crime in an effort to help his family, which is composed of a recovering addict mother, a heroin-dealing stepfather, and a mute older brother. Even with all that drama, Boy Swallows Universe has a big heart and a lot of warmth, imbued with a sense of childlike optimism — it shows how far a kid will go for the people he loves.

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The Queen’s Gambit rises to the difficult task of making chess seem not only thrilling, but frequently sexy as well. Scott Frank and Allan Scott’s series, a lavish adaptation of Walter Tevis’ novel of the same name, stars Anya Taylor-Joy as Beth Harmon, an orphan turned troubled chess prodigy. Across seven episodes, the series maps her rise to international fame, which coincides with her worsening dependence on drugs and alcohol. Gambit explores her ascension from a number of different angles, examining the role her womanhood played in her success, her romantic entanglements, and the effects of her own unresolved trauma. A wicked combination of compelling chess sequences and stylish visuals make The Queen’s Gambit easy to watch (or rewatch) in just a weekend.

Once you give yourself over to Bodies’ wild premise, which follows four detectives across different time periods as they investigate the same murder, you’ll be in for a good time. The eight-episode British series sets its story across several decades, from 1890 to 2053, and sees its characters stumbling across the same naked corpse in the exact same place, unwittingly bound together by this otherworldly situation. Influenced by their respective time periods, all four detectives have different approaches to their investigations, which helps keep the sci-fi crime drama freshly unpredictable as it gradually unwinds. From time travel to explosions to séances, Bodies has a little bit of everything.

Guillermo del Toro is one of cinema’s most inventive storytellers. His interest in horror, fairy tales, and the supernatural is demonstrated across his filmography, from his Hellboy series to his Oscar-winning The Shape of Water. In his anthology, Cabinet of Curiosities, del Toro presents his own spin on The Twilight Zone with an eight-part collection of macabre tales from an impressive group of directors, including Ana Lily Amirpour, Jennifer Kent, and Catherine Hardwicke. Each new tale is introduced by del Toro with Rod Serling–inspired aplomb, but he allows his curated roster of directors to take the reins on the stories. Each episode is chilling in its own way — one stars Tim Blake Nelson as a right-wing military veteran trying to summon a demon; another puts a devastating spin on the classic haunted house trope — but no two are the same, making for a unique viewing experience every time.

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Sometimes you’re in need of a show that’s going to make you sob — we’ve all been there. It takes all of one episode to figure out that From Scratch, Tembi Locke’s adaptation of her own memoir, is going to be a tear-jerker. Amy (Zoe Saldaña), an American artist, strikes up an instant love connection with Lino (Eugenio Mastrandrea), a Sicilian chef, while visiting Italy. A romance like theirs, intense from the jump, isn’t meant to last, but what makes From Scratch such a satisfying watch is how tenderly it maps out their relationship from its whirlwind beginning to its devastating end.

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Painkiller unfurls a fictionalized retelling of some of the origins, and wrenching aftermath, of the opioid crisis in the US. Executive produced by Eric Newman (Narcos), Pete Berg (Friday Night Lights), and Alex Gibney, the drama explores the topic from various angles, including that of the Sackler family — who founded and owned pharmaceutical company Purdue Pharma, which manufactured and sold OxyContin. The series also examines the people whose lives were upended by the drug. Matthew Broderick plays Purdue exec Richard Sackler, while Uzo Aduba portrays Edie Flowers, a lawyer with the US attorney’s office who sets out to bring a case against the company. The six-episode series provides sobering context for how influential the marketing of the drug was to its perpetuation, spotlighting the real stories of people who lost loved ones to OxyContin addiction.

Sometimes there’s nothing more rewarding than escaping into a long series, and other times you’re just not in the mood to get invested in a show with multiple seasons — that’s the life of the TV lover. Luckily, there’s a whole world of television out there for anyone who likes their shows short and sweet but still wants to watch something absorbing. Whether you’re looking for a narrative that tells a complete story in a succinct number of episodes or you’re on the hunt for something to keep you company over the weekend, you’ve come to the right place.

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From dark comedies like BEEF to legal dramas like Anatomy of a Scandal to sweeping romances like From Scratch, there’s plenty of variety on our list of limited series to check out right now. What all these shows have in common is how fast you can finish them.

David E. Kelley’s pulpy drama is a he-said, she-said courtroom thriller about the murky intersection between power and consent. Rupert Friend stars as James Whitehouse, a slippery British politician who’s accused of rape by a young staffer (played by Naomi Scott), leading to a highly publicized trial that dominates the media cycle and sweeps up everyone in its wake, including Whitehouse’s steely wife (played by Sienna Miller). Examining manipulation, privilege, and the lengths people go to in order to lie to themselves, Anatomy of a Scandal is the type of series designed to be devoured and discussed.

Steven Yeun and Ali Wong make a deliciously venomous pair in this series that follows the aftermath of a particularly nasty road rage incident. The near-collision and subsequent chase between the hapless Danny (Yeun) and the teetering Amy (Wong) is the cause of the titular beef, but it’s their dogged pursuit of each other afterwards that injects their disappointing lives with furious purpose. To their own detriment, they lock themselves in a game of cat and mouse as they continuously try to come up with new ways to get back at each other. BEEF has a lot of empathy for its broken characters, approaching all that chaos with dark humor and existential questions about life, love, and spirituality. With each of its 10 episodes clocking in at around 30 minutes, the fact that it also happens to be easy to finish in a day or two is just a bonus.